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The War Over Weezer Is Real on Saturday Night Live

Comedy Features Weezer
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It’s a war that’s been raging since Weezer released its second album over 22 years ago. Has the band lost it? And if so, exactly when and why?

Pinkerton was released to a collective shrug by the entire world in 1996. Weezer’s second album might’ve hooked a certain type of fan desperate for self-loathing songs about romantic failure, but for a world gearing up for the twin 1997 eruptions of Third Eye Blind and Matchbox Twenty, Weezer felt like yesterday’s news. They were just one more band that scored an alternative radio hit in the wide open days of 1994, another Belly or Dinosaur Jr that would release a follow-up album in a media landscape that no longer let anything but the most polished and photogenic corporate alternative rock bands through the gates. Some accused Weezer of being that kind of band when their 1994 debut came out—a common complaint was that they were just a cleaned up, more mainstream-friendly knockoff of Pavement—but the songs were good enough (and videos clever enough) to make them a success.

Times had changed by 1996. The major labels had successfully reined in an “alternative” scene that they had struggled to understand earlier in the decade, blandly homogenizing it in a way that left little room for idiosyncrasy. Pinkerton’s first single, “El Scorcho,” was too lilting and haphazard to fit on commercial alternative playlists in 1996, and that was basically that. A follow-up single, “The Good Life,” got a bit more play on MTV, but the message had already taken hold: Weezer was a one-hit wonder, a band bit hard by the sophomore slump. Pinkerton was considered a failure by the world at large, and it would take years for that impression to turn around.

The record’s reputation took a further hit after Weezer basically disappeared for five years. It wasn’t just a failure, but one that ended the band. It was genuinely surprising when Weezer returned in 2001 with a new album, and even more surprising that it did well, with a couple of radio hits and eventually going platinum. Alternative radio itself was dying by 2001, killed by the offputting anger of nu metal and the rise of hip hop as the universal music of youth culture, and Weezer felt even more out of place at the time than they did in 1996.

That successful comeback wasn’t a fluke. Over the next decade Weezer released a string of albums that sold well and helped turn them into an iconic rock band for listeners who might have been too young to even be listening to music when the first album came out. Along the way Pinkerton was finally rehabbed by its fans, somehow officially elevated into the pantheon of great rock albums. It’s no longer considered the album that killed Weezer, but a classic that was misunderstood in its day.

It might not be everybody’s favorite, but it’s hard to find any Weezer fan who doesn’t love Pinkerton. It’s not hard to find Weezer fans who like the first two albums and now cringe at the gimmicky band they’ve become. That five-year break is like a chasm that swallowed up much of Weezer’s fan base. The band might’ve groomed new fans to take their place, but those original fans are still out there, standing up for the first two albums and loudly proclaiming their hatred of everything that followed. It’s a Weezer war, and it’s been dividing fans for almost 20 years at this point.

And somehow Saturday Night Live aired an entire sketch about it last night.

This was clearly written by somebody who’s very familiar with Weezer’s discography and the arguments on both sides of the divide. Leslie Jones, who believes that Weezer is unlistenable after Pinkerton (other than a few songs on the 2001 album), goes head to head with Matt Damon, a staunch Weezer believer who celebrates their entire catalogue. Their impromptu beef disrupts an otherwise pleasant grown-up Christmas party, angering their hosts and embarrassing the life out of their partners, and yet anybody who’s ever felt strongly about Weezer (or any other band) probably understands why it’s so important to stick up for what you believe. Even if you don’t like Weezer (and c’mon, you really shouldn’t—even Pinkerton is bad), if you care about music you’ll feel something when you watch this thing.

Check it out below, and remember: Weezer’s first album was okay and everything since has been garbage. That’s Paste’s official stance. Or at least the official stance of one editor at Paste, an editor who once stayed up all night listening to that first album on repeat while playing a Sega CD game.

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